Released on 7 November 2005 by RCA Records, Ultimate Collection is the second greatest-hits album by Eurythmics, following 1991's Greatest Hits . It marked a major moment for the duo, who had largely been inactive, as it preceded the reissue of all eight of their back-catalogue albums by just one week.
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Released in November 2005, Eurythmics – Ultimate Collection
: These 2005 versions, mastered by Ian Cooper , were intended to make the 80s synth-pop sound modern and "crisp" for digital systems, which is why they are often sought after in lossless formats. Reception and Legacy eurythmics ultimate collection 2005 flac 88 hot
: It covers the full arc from "In the Garden" to "Peace," including the massive global hits like "Sweet Dreams (Are Made of This)" and "Here Comes the Rain Again."
As of 2025, physical copies of the Ultimate Collection on DVD-Audio (which contained the 88.2/24 stereo track) are out of print. The digital files originally sold on now-defunct stores like HDTracks or the original Sony Music Store are extremely hard to find in their untouched, non-downsampled form. Hence, a verified FLAC 88.2/24 rip is considered "hot" property on private music forums and audiophile trackers.
The Ultimate Collection was released on 7 November 2005 as part of a larger initiative to reissue the duo's eight studio albums. Released on 7 November 2005 by RCA Records,
The 2005 Ultimate Collection does feature a modern, louder master compared to the original 1980s vinyl or early CD pressings. For some listeners, this "hot" mastering brings a welcome energy, making the driving synth beats of "Love Is a Stranger" punch harder through modern speakers and headphones. For purists, however, high-resolution FLAC files at 88.2 kHz are sought after precisely because they can handle higher loudness levels without introducing the digital clipping or distortion that plagues lower-quality MP3 versions. How to Optimize Your Playback
The album became an immediate commercial success, peaking at on the UK Albums Chart and eventually being certified triple platinum by the British Phonographic Industry (BPI).
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Beyond synth-pop, the compilation showcases Eurythmics’ stylistic breadth. Tracks such as “Here Comes the Rain Again” reveal a baroque pop sensibility—string arrangements and melancholic lyricism—while later songs like “Missionary Man” emphasize rock-inflected grit and bluesy swagger. Lennox’s voice acts as the throughline: agile, expressive, and capable of shifting from icy detachment to raw vulnerability. Dave Stewart’s production and songwriting provide a chameleonic backdrop, moving from sparse electronic textures to fuller, organic instrumentation without sacrificing cohesion.
Why “88”? That’s not a bit depth (that’s 16-bit). It likely refers to —a sample rate rarely used today but fetishized by early-2000s audiophiles. Why 88.2?
The 2005 release of the Ultimate Collection by Eurythmics remains a high-water mark for fans of Annie Lennox and Dave Stewart. While standard CDs and MP3s captured the mainstream market, audiophiles have long sought out the rare, high-resolution 88.2kHz FLAC versions of this compilation.