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Malayalam cinema is not a postcard of Kerala; it is its conscience. It celebrates the state’s beauty—its karimeen pollichathu (pearl spot fish), its kalaripayattu (martial art), its Kathakali —but refuses to be a tourism brochure. It interrogates the state’s contradictions: the highest literacy rate alongside brutal caste violence; matrilineal history alongside contemporary sexism; a red flag of communism alongside a saffron surge of majoritarianism.
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